Hind Al Saad


Exhibitions —

Encoded Terrains of Change
-162: Doha Edition
-162: Tokyo Edition
Domestic Affairs
Patterns of Change

Teaching + Workshops —

Playful Procedures
Playful Procedures 2.0
Recursive *Riso*
Automated Aesthetics
Coding for Design

Computational Art — 

Infinite Magnetism
BFA Thesis: Engine of Endless Explorations
Scale Solar System
Dadu E-Cards

Design Objects — 

Peculiar Pets of Doha
Stages of a Spaceship
The Vinyl Voyager
The Apollo Matchbox
The Vikings Instrument
I Want to Believe
Unwrap Candy & Memories
Balaleet in a Box
The Perfect Life

Flat/Digital Designs —

Kepler 186f
Martian Mail
Pop Up Martian Landscape
Hidden Mysteries & Stories
DOH to RIC Postcards
The Pandorica Opens
Take Me To The Moon
Bayan Videos
Zest Zine
Pushing Daisies Posters
Doha Havana
Monitoring Movements
Journey of Light
Gulf Greetings

Info —

a. artist, designer, maker, and creative coder based in doha.
b. create emergent graphical forms, both digital and physical, using procedural systems.
c. explore the endless ways finite rules can create infinite results.


If you want to ask about my work, or you want us to work together, send me an email and I’ll get back to you within twenty-four hours. Looking forward to hearing from you!
hind.alsaad@gmail.com

︎ ︎︎︎
Mark

Automated Aesthetics: 
Intro to Creative Coding


In the Spring of 2020, I was invited back to lead another three week project for the Surface Research art foundation class at Virginia Commenwealth University in Qatar. The project was a playful and experimental introduction to Creative Coding + Generative Art. The project was initally supposed to end with plotter drawings of the generated graphics - however because of the online transition of the class because of COVID, the final outcome of the class shifted to become interactive graphics embedded into each students portfolio site. The students had access to a library of Source Code examples, and they had to choose one to fork, and edit the code and parameters to make it their own, here is a selection of the final work: